[Sculpture in the courtyard of the Cloisters.]

[Entrance to the chapel at the Cloisters.]

The Metropolitan Museum of Art, The Cloisters; Exterior view of the upper driveway including windows from Sens and the Froville arcade

Manhattan: Fort Washington Aven - 190th Street COPYRIGHT BY F. S. LINCOLN Photographer 114 EAST 32nd STREET NEW YORK CITY THIS PRINT IS SOLD FOR REFERENCE ONLY REPRODUCTION IS NOT ALLOWED IN ANY FORM WITHOUT WRITTEN PERMISSION FROM F. S. LINCOLN 742P4

The Metropolitan Museum of Art, The Cloisters; View showing the apse of the Fuentidueña Chapel and the tower facing southeast

The Saint-Guilhem Cloister, French, Before 1206, Arcades and Garth

Manhattan: Fort Washington Aven - 190th Street COPYRIGHT BY F. S. LINCOLN Photographer 114 EAST 32nd STREET NEW YORK CITY THIS PRINT IS SOLD FOR REFERENCE ONLY REPRODUCTION IS NOT ALLOWED IN ANY FORM WITHOUT WRITTEN PERMISSION FROM F. S. LINCOLN 742P3

Manhattan: Fort Tryon Park. Fort Tryon Park: A set of 3 views showing interior gardens of the Cloisters. September 11, 1938. Views 1,2 and 3 P. L. Sperr

[Courtyard at the Cloisters.]

[Sculpture by a window at the Cloisters.]

Manhattan: Riverside Drive - Dyckman Street (1 & 2) Riverside Drive, at Dyckman Street, showing the new link connecting same with the Henry Hudson Parkway via a bridge over Dyckman Street and from which the photographer is viewing southward in No. 1. Formerly the Drive followed the contour of the stone wall and turned eastward to Broadway, skirting Fort Tryon Park in which the Cloisters, a branch of the Metropolitan Museum of Art is under construction. Southwest of same is the new George Washington Bridge across the North (Hudson) River at 181st Street. View No. 2 is northward from a point below the new Museum and across the Dyckman Street gap to Inwood Hill Park. June 22, 1936. P. L. Sperr. (3) An earlier view of the same area. Note the original condition of Riverside Drive (cars thereon). The photographer states his vantage point to be near Dyckman Street and the Railroad. June 3, 1934. P. L. Speer.